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STATEN ISLAND ADVANCE
Friday, May 23, 2003

Up through Thursday, the end-of-the-year exhibit features a number of engaging short video

Who expects to find an art video that is fun to watch, provocative, stylish and actually leaves you wishing it were longer? In an academic context?

There is such a thing. It is called "Some Notes on Ruins," and it is in the end-of-the-year exhibit by the Media Culture faculty of the College of Staten Island.

Probably, this 19-minute disc by Sherry Millner and Ernie Larson owes something to the recent "Mummy" commercial film extravaganzas. But its far more direct sources are the old Boris Karloff classics. Still, the videomakers aren't doing a camp tribute, or rather, it isn't their principal goal.

DIVERSE CONNECTIONS

Instead, they're using deftly reanimated snippets of these grand old relics in order to make elegantly arch connections between film, preservation, memory, history and archeology.

One tie-in observes that like mummification, "cinema preserves the body's appearance . . . defending us against the passage of time."

Similar ruminations are intercut with deathless vignettes from the old reels, as in the Karloff mummy's resurrection ("He feels the congealed life awakening in his petrified body!") or the discovery of the tomb of Tutankhamun: "Your place in archeology is assured!"

Engaging digressions (the best is about the brisk trade in pulverized mummies as medicine) in "Some Notes on Ruins" suggest that not only can art videos can be fun, but even that cinema theory and celluloid semiotics need not paralyze unwitting bystanders.

'LIGHTPLAY'

"Lightplay," a glamorously platinum-toned video shot in the jogging lanes of Central Park by Dave Gearey, has an out-of-sync, toned-down soundtrack. The video is concerned with pattern, shadow and light. Jogging may lack allure, but "Lightplay" makes it look like heaven.

Gearey's also represented by five exceptionally well-done Cibachrome photographs of ordinary objects, like a Cyclone fence.

Elsewhere on the walls, visitors will find Jason Simon's large framed C-print composites , all titled "Ebay," of auction items presented without caption or comment as if their significance and value were equally distributed throughout and self-evident.

Simon's other contribution, a 10-minute video called "August September" contrasts oddly threatening material shot at a rural carnival in August, 2001, with World Trade Center footage a month later.

For the digitally interactive, Valerie Tevere has made "A Preliminary Guide to Public and Private Space in Amsterdam," a survey she characterizes as a "psycho-geographic work."

The exhibit is open by appointment through next Thursday in the college gallery, located in the Center for the Arts on the Willowbrook campus at 2800 Victory Blvd.

Call for hours 718-982-2366.


By Michael J. Fressola
Reprinted here with permission from the
Click Here to read the Advance online


 


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