
Nearly 90, and a work of Art
Margaret Ricciardi opens
mixed-media exhibition of her paintings and sculpture this weekend
at CSI
Staten Island Advance
Friday, March 5, 2004
As a girl growing up in Brooklyn, Margaret Ricciardi liked to draw.
But it wasn't until some 60 years later, after she
decided to pursue a bachelor's degree at the College of Staten
Island, that she enrolled in an art class. And then only because she
needed to take an elective.
Now, some 23 years later, Maggy, as she's known in
the painter's community at CSI, will launch a one-woman show this
weekend -- her first mixed-media exhibition -- of paintings and
sculpture.
What better way to mark her birthday on Monday --
her 90th birthday.
"I said to my family, 'No party!'" said Mrs.
Ricciardi, as we sat in the sunny kitchen of her Ward Hill home
earlier this week. "I had a party when I was 80. But I thought, if I
could have a show and invite everyone who has been asking me about
my artwork, that would be wonderful. This is like a dream come
true."
The show, which opens tomorrow in CSI's Center for
the Arts, Gallery 118 (1P), and runs through March 18, with a
reception Sunday from 2:30 to 4:30 p.m., is not Mrs. Ricciardi's
first.
NUMBER OF EXHIBITIONS
In 1990, she held a private exhibition of her oil
paintings. Five years later, the Staten Island Institute of Art
hosted a second show, and in 1999 she showed her work again, at Snug
Harbor. Her new show will feature both her oil paintings and her
sculpture.
Her magnificent "Winter Sky," a 68-by-56 inch oil on
canvas that took a semester to complete -- and which Mrs. Ricciardi
refers to as "my prize" -- will be among her impressionist paintings
on display, along with several of her abstract sculptures in marble,
bronze and copper.
Mrs. Ricciardi has long since earned her degree from
CSI, but that hasn't stopped her from continuing to take classes in
painting and sculpture two days a week at the college.
Nor has her failing eyesight slowed her down much.
"They tell me I'm painting better because I'm not
hung up on detail," said Mrs. Ricciardi with a laugh. "I don't know
whether to be flattered or insulted. I guess there is some truth to
it. I guess you are freer. But I do have to stand five or six inches
from a painting."
"Maggy is an inspiration to all of us," said
Professor Patricia Passlof, who has worked with Mrs. Ricciardi for
more than two decades. "As a painter, she has wonderful taste,
talent and true grit. She is very demanding of herself; she has very
high standards."
"She has done some remarkable pieces," added
Professor Ralph Martel, a sculptor with whom Mrs. Ricciardi has
studied for 20 years. "For one piece she used a 200-pound piece of
Brazilian soapstone, which she ordered herself. We have power tools
in the studio and she looked like Rosie the Riveter using them."
"She has been remarkable for her persistence," added
Martel, noting Mrs. Ricciardi's eyesight. "It hasn't hurt her
sculpture; she can feel it."
Mrs. Ricciardi's second career as an artist
blossomed after the unexpected death of her beloved husband, Frank,
in 1983. Together the two had run Ricciardi's Shoe Service in the
St. George Ferry Terminal for many years, with Mrs. Ricciardi
serving as the store's buyer of footwear and accessories. The couple
had two daughters.
Mrs. Ricciardi had begun to take classes at CSI
prior to her husband's death, and decided to pursue her degree in
earnest when she found herself suddenly on her own. That lone art
elective, and the encouragement she received from an early
professor, was pivotal in her decision to devote herself to painting
and sculpture.
"I like to work at the college, because working at
home, you can't really concentrate," said Mrs. Ricciardi. "There are
too many interruptions. The phone rings, the doorbell rings.
Besides, I like getting the critiques from my professors, one on
one. That's important to me. I can ask, 'What should I do?' 'Should
I do more?'"
Her trips abroad, to Europe and China, the Caribbean
and South America, have proven inspirational, Mrs. Ricciardi said.
But so has simply gazing out the window of her studio on the CSI
campus, hence "Hill," which adorns the cover of the show's brochure.
But perhaps nothing was as inspirational as the
glorious six months she spent studying at the prestigious Lorenzo di
Medici Institute in Florence, Italy, in 1988. Three years ago she
returned for a month of additional training.
Still, the real inspiration comes from within.
"I feel so lucky," said Mrs. Ricciardi. "Some
mornings it can be difficult to get out of bed. But I say, get up
and get moving. Once you've had your breakfast, you get dressed. I
get dressed every day, whether I'm going out or not. That's the
incentive. Otherwise, you'd get yourself in a rut."
Reprinted here with permission from the

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