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Spells and symphonies sway students

STATEN ISLAND ADVANCE
Monday, March 24, 2003

2 CSI professors make teaching and learning a multifaceted experience

One makes objects vanish into thin air and suits up like an astronaut in protective gear. The other juggles a passion for snakes with an 8,000-plus collection of old records. What do they have in common? They can both be found teaching at the College of Staten Island.

For Dr. Steven Okulewicz and Dr. Frank Burbrink, their second careers sometimes come in handy as they intertwine their off-campus lives with class syllabi to drive home a lesson, or broaden students' horizons. Chalk one up for job diversity.

As a professional magician and a professor of geology, Okulewicz has more than one trick up his sleeve for keeping the attention of students.

To help smooth over some of the rocky points of the subject, such as chemical weathering, Okulewicz will rip up a piece of paper to show a physical change, pop the pieces in his mouth and pull out a 50-foot long multi-colored streamer. Magic via the chemicals in saliva.

With slight-of-hand antics and a Ph.D. in geology from Brooklyn College, Okulewicz has been unleashing his own brand of instructing at CSI for 23 years. To demonstrate that you need a heat source to melt rock and make volcanoes, the 51-year-old Castleton Corners professor opened up a text book that burst into flames.

What's the secret? He'll never tell.

But with magic, Okulewicz stresses that how to do it isn't as important as how you do it.

"It's all in the presentation," said Okulewicz. And he should know because he's been entertaining young and old alike with his "Magic of Geology" show for more than 20 years throughout the tri-state area.

SUITING UP

When he's not a college professor, or pulling things out of a hat, Okulewicz can be found suiting up in what he calls a "moon suit"-- a fully encapsulated Level-A suit.

Monday through Friday, Okulewicz works as a senior geologist and instructor for Tetra Tech NUS in Edison, N.J.

His job takes him throughout the country and abroad training agencies such as the Coast Guard, Federal Bureau of Investigation and Department of Environmental Protection to deal with hazardous situations.

Courses in anthrax, sampling for toxic materials in ground water, using air monitoring equipment to check for explosive and flammable vapors and measuring the levels of oxygen, radiation and chemicals are among the subjects he teaches.

Critical to the coursework is selecting the right suit for the emergency at hand from nearly a dozen types made out of Teflon, butyl rubber and other kinds of rubber compounds that can resist hazardous chemicals.

"There's no Superman suit that protects you from everything," said Okulewicz.

SHEDDING SOME LIGHT

While Okulewicz might be a master at suiting up, his colleague, biology professor Dr. Frank Burbrink knows shedding -- snakeskin -- which enabled him to discover a third type of corn snake in 2001.

Researching mitochondrial DNA samples from the skin and livers of corn snakes, Burbrink found an evolutionary distinction. He dubbed his discovery, "Slowinski's corn snake" after his best friend, herpetologist Dr. Joseph Slowinski, who died that same year from a venomous snakebite in southeast Asia.

Known also by its Latin name "elaphe slowinskii," Burbrink's non-venomous corn snake can be found in parts of Louisiana and Texas.

Although his discovery bumped the number of known snake species in the U.S. to 141, Burbrink has yet another goal to attain -- writing the definitive book on early American recorded music.

Burbrink in his lab with Chuck Berry's first recordingAided by a massive assemblage of old records -- spanning a 1917 recording of "Livery Stable Blues" by the Original Dixieland Jazz Band through the early 1960s -- the 32-year-old Clifton resident has been working on his book for several years.

"I have a whole room that's just complete music," said Burbrink. Crates of 33-, 45- and 78-rpm records, and his new passion, CDs, came along with him when he relocated last year from Baton Rouge, La.

However, that collection ends abruptly, once The Beatles and the rest of the British invasion destroyed American music, said Burbrink in a mixture of sincerity and laughter.

MUSICAL ROOTS

Elaborating, Burbrink points out that many of the invading "mophead" bands copied the raw styles of black artists such as Howlin' Wolf and Muddy Waters and received the accolades and air play that eluded their mentors.

They may know the music but they don't know the blues," said Burbrink, quoting Chester Arthur Burnett, better known as Howlin' Wolf.

Burbrink's tome will explain how each musical genre evolved and converged to form new styles -- ragtime, early blues, swing jazz, be-bop, hillbilly, honky-tonk and rockabilly -- just to name a few. The book will also trace the influence of '50s rock rebels like The Phantom, Bunker Hill and Guitar Crusher on three-chord punk rock bands like the Ramones, the Cramps and Misfits.

While the book is geared toward music aficionados, Burbrink tries to grab the interest of his students by including a sampling of his vintage vinyl heroes in classroom discussions.

"There are a few kids who are slick and they know [the music]," said Burbrink. "But the other kids, I can tell, their eyes just glaze over."


By Diane O'Donnell
Reprinted here with permission from the
Click Here to read the Advance online


 


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